Case Study

A Key to Modern Architecture

In the 1970s, architect Pentti Piha was involved in developing and bringing to Finland the so-called black box stage, which performing artists are nowadays critical of. Through this critique, we can reevaluate the legacy of modernist architecture even more broadly.

Essay

Dreaming of Socially Accessible Cultural Venues

What might a truly inclusive cultural venue for all look like?

Essay

Optical Vacuum

For decades, the theatre space has remained in the background in the mainstream cinematic experience. Different kinds of experiences are available at film festivals.

Essay

Dramaturgy of Building and Ruin

If one examines an office building or shopping centre through the means of performing arts, what do they reveal about themselves, about architecture – and about the act of performing?

Case Study

The People’s Theatre

In the 1930s, P.E. Blomstedt designed a theatre in Hakaniemi, Helsinki. Reading between the lines of an illustration drawing reveals the world view behind the design and the designer.

Phenomena

Artwashing Demolition

Utilising to-be-demolished buildings for temporary art shows is becoming a formalized urban development practice. However, it disregards the potential of existing urban spaces and ignores the temporary use and artistic agency as vehicles for place-shaping.

Phenomena

A Pioneer of the Circular Economy

The warehouse of a former brewery in Berlin’s Neukölln district is now being used for work and living. The project named CRCLR House has been designed following the principles of circular economy.

Phenomena

Material Upheaval

If one must build new or repair, what are the best material choices in terms of natural resources and the carbon footprint?

Article Collection

How Does AI Change Architecture? 

The six viewpoints published in the Matter and Intelligence issue explore how AI can act as an assistant in creative work, how it helps in designing more sustainable architecture, and what architects should understand about the ethics of AI.